Nostalgia is a cheap street drug. When you first inhale it, you get a fierce rush - Lenny Bruce at the Fillmore East! Dylan at Gerde's Folk City! Then comes the inevitable crash and you are left weak in the knees. You find yourself in the graying present, wandering through bound albums, the images strangely diverse, an English garden of photographs not at all like the manicured files of the digital now. Everything so long ago. You look back through a reverse crystal ball at all the hoopla, sometimes not even believing you were there in that time when both you and the world around you were so raw and unfiltered. Adolescent anguish, art and sex flying in all directions, rocking and rolling off the wall like so many billiard balls. No time to sleep. No idea that you would some day grow old and no longer be the headline.
Still, here you are, Dustin Hoffman's 80th birthday just past, in a world constipated by plastics, somehow still alive despite your various transgressions. You and the world both. At a recent reunion lunch with a dear old friend, you find yourself asking, as each name from the past is wondrously conjured up....Is she alive? Is he still with us? Remarkably, all the people you ask about have survived. They are out there in Brooklyn and Boston and Berkeley, a whole generation of clocks winding down. All you can think about is the two of you and a third friend, in life an anthropologist, waiting for a bus one night in Sunnyside, Queens. The other guy said something so hysterical that the three of you laughed right up to the borderline of wetting your pants. You actually remember the joke, but you can't repeat it. Not because it's tacky or sophomoric, but because it makes no sense. It's embalmed back there in 1963.
Your friend says that seventysomethings hit the jackpot, growing up in the Howdy Doody fifties and coming of age in the hallucinogenic sixties. It's a kind of demographic exceptionalism that may or may not be true, but is probably not possible to evaluate from the inside. You only know what you know, but you're fairly sure there was more to it than tie dye. The problem with nostalgia is that it's all about yearning. It wants what it can't have. It wants to stay up till the early hours carousing even though sleep is now its bestest friend. It draws its oxygen from the treacly belief that there is such a thing as the good old days, leaving out the inconvenient Freedom Summer murders, the massacre at My Lai. It is vulnerable to commercial exploitation. Only 731 days left till the Woodstock golden anniversary! Nostalgia wants to be reassured that nothing has really changed, even though your mother and father are no longer here to advise and cajole you. Even though you are now the spirit guide.
To really cash in on the jackpot, you would need to consider its impact on the present, to recognize the cellular imprint of the raucous times you lived through on who you are now. To your simmering genetic stock, your ancestral and family history, you would need to add the peppery spice of those improbable times of your becoming, back then before you knew anything about anything, anything about life. There was no cookbook to explain the process, no freeze-dried ingredients to reconstitute. Everything was made from scratch. Everything was improvisatory. You made it up as you went along which made you deeply foolish, but also somewhat brave. You accumulated experience and squirreled it away for possible use at a later date, going to college in 1962 barely able to find Vietnam on the map, ending up marching on the Pentagon five years later. You graduated into a vast blankness, having no idea what to do with your life, but understanding somehow that it was precious and finding yourself thirty-five years later attending the death beds of hospice patients.
You came of age in a time of expansion, of dissolving boundaries, of greater permission and this permission to wander without a plan, without a map, has made of your life one big seminar, Lenny Bruce and Dylan two of your many teachers. Learning has been the hidden paradigm, the holy book, and this gospel, this Torah, has sustained you and lifted you out of a conventional girlhood. It has carried you through loss and disbelief and will deliver you wherever it is you're going.
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10 comments:
Yr writing is always about the truth of something--now about how we were affected by the "golden years" and even tho we still are steered by patterns, they are less the patterns of society's expectations and more the unconscious individual patterns of growing up as Us in our nest with its thorns and pillows.
An interesting discussion. For me, nostalgia has little impact. maybe I didn't feel the magic then, or is it that I'm each day grateful for the gifts of being 70 something. Who could have guessed the richness?
We remain who we always were in some deep unalterable way. Love the thorns and pillows.
I think the culture promotes nostalgia....that vulnerability to commercial exploitation that I referred to. Certainly, gratitude is the main event and not really available in the same way to younger people. I agree wholeheartedly that the richness is remarkable and unexpected and I think part of that is that there were no models previously for this kind of conscious aging. So maybe we did hit the jackpot.
A week ago I had a conversation with a California high school English teacher who described her sense of the anguish of current California teenagers. They seemed either stressed to the max by ambitious parents who relentlessly helicopter them to get into "top" schools or, at the other extreme, they are wiped of ambition by the dismal present and vacant future. Both extremes are threatening suicide in their essays to her. I am forwarding your marvelous blog to her... perhaps she might share it with her despairing students so they might glimpse at possibilities - however faint - of a joy, not expressed in their movies or songs, of being lifted out of conventional habits.
I am so honored by your response. To think that something I'm writing late in life back East might have a positive impact on young people on the other coast is a true inspiration.
As I always say, it's not just what you say, but how you say it, that "wipes me out," in a good way. I grew up in S. Africa, and my story was so different from yours. What you write about, I only really learned of as an adult. My nostalgia, if I have any, is for the red earth of Africa, the music of the Black people, and the figs, plums, grapes and peaches everybody had growing in the back yards, no matter how small the homes were....
Yes, I think writing in the second person had the effect of making it sound like I thought everyone was the same at 20. Not true, of course. Your remembrance of Africa is very moving.
Oh Susie dear, I KNOW you don't think everyone was the same at 20. Don't change one thing about how you write!
The style of writing is more personal than the content for me. When I have misgivings about it, it's as if I'm rejecting a part of myself.
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